Group Exhibition Catalogues


Gillen, Eckhart and Ulrike Lorenz (eds). Constructing the World. Art and Economy 1919-1939. Bielefeld and Berlin: Kerber Verlag and Kunsthalle Mannheim, 2018


Baum, Kelly, Andrea Bayer and Sheena Wagstaff. Unfinished: Thoughts Left Visible. New York: Met Breuer, 2016

Coomer, Martin. Protest. London: Victoria MIro Gallery, 2016

Drosnos, Nikolas and Romy Golan. 'Realism as an International Style' in Okwui Enwezor, Okwui(ed), Postwar: Art Between the Pacific and the Atlantic 1945-1965, Munich: Haus der Kunst and Prestel, 2016, p.444

Hoste, Ann (ed). These Strangers ... Paintings and People. Texts by Bianca Baroni, Kirsty Bell, Iwona Blazwick, Martin Herbert, Ann Hoste, Jeremy Lewison, Yael Lipschutz, Paulina Pobocha and Monika Szewczyk. Gent: SMAK and Roma Publications, Amsterdam, 2016

Hartog Jager, Hans den. Zie De Mens. Honderd jaar, honderd gezichten. Zwolle: Museum de Fundatie and Athenaeum - Polak & Van Gennep, Amsterdam, 2016


Als, Hilton. Forces in Nature. London: Victoria Miro Gallery, 2015. Texts by Hilton Als

Gioni, Massimiliano (ed.). The Great Mother. Women, Maternity, and Power in Art and Visual Culture, 1900-2015. Milan: Fondazione Nicola Trussardi and Skira, 2015. Essays by multiple authors.

Rabenmuetter. Zwischen Kraft und Krise: Muetterbilder von 1900 bis heute. Linz: Lentos Kunstmuseummuseum, 2015. Essays by multiple authors.

Schwabsky, Barry. 'Re-inventing Presence' in Tight Rope Walk: Painted Images after Abstraction. London: White Cube Bermondsey, 2015


Fortune, Brandon Brame, Wendy Wick Reeves and David C Ward. Face Value. Portraiture in the Age of Abstraction. Washington D.C.: National Portrait Gallery, Smithsonian Institution in associaiton with D Giles Limited, London. Essays by David C Ward, and Wendy Wick Reeves and Brandon Brame Fortune. Poem by John Ashbery.


Scala, Mark W. (ed). Paint Made Flesh. Nashville, TN: Frist Center for the Visual Arts, 2009. Essays by Susan H. Edwards, Emily Braun, Richard Shiff and Mark W. Scala.

Cullen, Deborah (ed). Nexus New York. Latin/American Artists in the Modern Metropolis. New York, New Haven and London: Museo del Barrio in association with Yale University Press, 2009


Butler, Cornelia and Lisa Gabrielle Mark (eds). Wack! Art and the Feminist Revolution. Los Angeles: The Geffen Contemporary at MOCA, 2007

Hammer, Martin. The Naked Portrait 1900 - 2007. Edinburgh: National Galleries of Scotland, 2007. 

Tricot, Xavier. I Am as You Will Be. New York: Cheim & Read, 2007 


Tuchman, Maurice. The New Landscape/The New Still Life: Soutine and Modern Art. New York: Cheim & Read, 2006


Pincus-Witten, Robert. Naked Since 1950. New York: C & M Arts, 2001


Siedell, Dan. The Human Factor: Figuration in American Art. Lincoln, NE: Sheldon Memorial Art Gallery (now Sheldon Museum of Art), 2000. A brochure.


Fergusson, Russell. In Memory of My Feelings: Frank O'Hara and American Art. Los Angeles: The Museum of Contemporary Art, 1999

Phillips, Lisa. The American Century: Art & Culture 1950 - 2000. New York: Whitney Museum of American Art, 1999.


Faces of Time: 75 Years of Time Magazine Cover Portraits. Washington D.C.:The National Portrait Gallery, Smithsonian Institution, 1998


Weinberg, Adam. Views from Abroad: European Perspectives on American Art 3: American Realities. Catalogue by Adam Weinberg, Nicholas Serota, and Sandy Nairne, with essays by Andrew Brighton and Peter Wolle. New York: Whitney Museum of American Art, 1997

Bond, Anthony. Body. Sydney: The Art Gallery of New South Wales, 1997


Feldman, Melissa E. Face-Off: The Portrait in Recent Art. Catalogue by Melissa E. Feldman, with an essay by Benjamin H. D. Buchloh. Philadelphia, PA: Institute of Contemporary Arts, University of Pennsylvania


Gibson, Robin. The Portrait Now. LondonNational Portrait Gallery, 1993


Rosen, Randy and Catherine C. Brawler. Making Their Mark: Women Artists Move Into the Mainstream 1970-85. Cincinnati: Cincinnati Art Museum, 1989

Van Wagner, Judy Kay Collischan. Lines of Vision: Drawings by Contemporary Women. Brookville, NY: Hillwood Art Gallery, Long Island University, 1989


Just Like a Woman. Greenville, SC: Greenville County Museum of Art, 1988

Wolfe, Townshend. 'The Face'. in National Drawing Invitational, Little Rock, AR: The Arkansas Arts Center, 1988, 111-12


Appelhof, Ruth Stevens and Cumbee Wilson. The Expressionist Landscape: North American Modernist Painting, 1920-1947. Catalogue organized by Ruth Stevens and Cumbee Wilson, with essays by Appelhof, Barbara Haskell, and Jeffrey R. Hayes. Birmingham, AL: Birmingham Museum of Art, 1987


Nude, Naked, Stripped. Catalogue by the MIT Committee on the Visual Arts. Cambridge, MA: Hayden Gallery, List Visual Arts Center, Massachusetts Institute of Technology, 1986.


Lobowsky, Susan. The Surreal City: 1930s-1950s. Brochure essay by Susan Lobowsky. Whitney Museum of American Art, New York, Whitney Museum of American Art at Philip Morris, 1985.

Styron, Tommy. Innocence and Experience. Greenville, SC: Greenville County Art Museum, 1985.


Nochlin, Linda. Woman. Evanston, IL: Terra Museum of American Art, 1984 


Jacobs, Joseph. Faces Since the 50's: A Generation of American Portraiture. Lewisburg, PA: Center Gallery, Bucknell University, 1983.

Hills, Patricia. Social Concern and Urban Realism: American Paintings of the 1930s. Catalogue by Patricia Hills, with an essay by Raphael Soyer. Boston, MA: Boston University Art Gallery, 1983

Kertess, Klaus. The Painterly Figure. Southampton, NY: The Parrish Art Museum 1983.

Cathcart, Linda L.: American Still Life: 1945-1983. Houston, TX: Contemporary Arts Museum, 1983


Berman, Greta, and Jefferey Wechsler. Realism and Realities, The Other Side of American Painting 1940-1960. New Brunswick, NJ: Rutgers University Art Gallery, 1982.

Zilczer, Judith. Five Distinguished Alumni: The WPA Federal Art Project. Catalogue by Judith Zilczer, with an interview with Alice Neel. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1982.


Boothe-Meredith, Sally. Real, Really Real, Super Real: Directions in Contemporary American Realism. Catalogue by Sally Boothe Meredith, with essays by Alvin Martin, Linda Nochlin, and Philip Pearlstein. San Antonio, TX: San Antonio Museum of Art, 1981.

Gamwell, Lynn, and Victoria Kogan. Inside Out: Self Beyond Likeness. Newport Harbour, CA.: Newport Harbor Art Museum, 1981.

Goodyear, Frank H., Jr. . Contemporary American Realism Since 1960. Boston MA: New York Graphic Society in association with Pennsylvania Academy of the Fine Arts, 1981.


Perreault, John. Aspects of the 70's: Directions in Realism. Framingham, MA.: Danforth Museum, 1980.


Cathcart, Linda L. American Painting of the 1970s. Buffalo, NY.:Albright-Knox Art Gallery, Buffalo, 1978.


Park, Marlene, and Gerald E. Markowitz. New Deal for Art: The Government Art Projects of the 1930s with Examples from New York City and State Oswego. Oswego, NY.: Tyler Art Gallery, College of Arts and Sciences, State University of New York, 1977. 

June Blum, Audrey Flack, Alice Neel: Three Contemporary American Women Realists. South Campus Art Gallery (now Kendall Campus Gallery), Miami-Dade Community College. Miami, Florida

Tenth Street Days: The Co-Ops of the 50's. Edited by Joellen Bard in co-operation with Pleiades Gallery and the Association of Artist-Rund Galleries. New York: Education Art Service, 1977.


Gerdts, William H., and Leslie Cohen. Three Centuries of the American Nude. New York: The New York Cultural Center, 1976.

Exhibition of Liturgical Arts. Catalogue by the 41st International Eucharistic Congress, with an introduction by Victoria Donohue, includes Neel's Archbishop Jean Jadot, 1976. Philadaelphia, PA.: Philadelphia Civic Center, 1976.

Paintings by Three American Realists: Alice Neel, Sylvia Sleigh, May Stevens. Foreword by Ronald A. Kutcha. Introduction by Phylis Derfner.  Syracuse, NY.: Everson Museum of Art. Syracuse, New York, 1976.

Dorothy Gillespie, Alice Neel, Charlotte Robinson, Sylvia Sleigh: Recent Paintings and Works on Paper. Washington, D.C.: Fendrick Gallery, 1976.

Harris, Ann Sutherland and Linda Nochlin. Women Artists, 1550-1950. Los Angeles, CA.: Los Angeles County Museum of Art, 1976.


Sons and Others: Women Artists See Men. New York: The Queens Museum, Flushing NY, 1975.

Jacob, Eva. Candid Painting: American Genre 1950-1975. Lincoln, MA.: De Cordova Museum, 1975.

Miller, Margaret A. Figure as Form: American Painting 1930-1975. Saint Petersburg, FL.:  Museum of Fine Arts, 1975.


Kroll, Jack. Figures. New York: Kornblee Gallery, 1962.